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El-Amarna North Tombs |
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Situated to the northern end of the cliffs surrounding the Amarna
plain, the North Tombs are just over 3km from the el-Till ferry
landing. From the privately run resthouse at the base of the cliff, a
long flight of modern steps ascends to the six decorated tombs open to
visitors, which are divided into two groups. The view from the top of
the steps gives the visitor a panorama of the northern end of
Akhetaten and shows what a vast area the ancient city covered. |
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| Tomb of Huya (EA1) |
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The first of the tombs, on a spur at the northern end of the group,
belongs to Huya, 'Steward of Queen Tiye' and 'Overseer of the Royal
Harem and the Treasuries'. Huya appears to have taken his office after
the death or retirement of Kheruef, whose tomb was constructed at
Thebes and his title offers confirmation that Queen Tiye, Akhenaten's
mother and Great Royal Wife of Amenhotep III, was at least at some
point a resident of Akhetaten. The tomb is one of the latest of the
northern group and follows the usual plan of the Amana tombs, with an
outer hall containing one remaining column, an inner hall and statue
shrine.
The entrance corridor shows Huya worshipping the sundisc with
accompanying text of a Hymn to the Aten. The wall scenes in Huya's
tomb are damaged, but depicted the deceased's office in the employment
of Queen Tiye, showing the Queen with her youngest daughter Baketaten
in the company of the Amarna royal family at a banquet on the wall to
the right of the doorway in the outer hall. The royal family, together
with Queen Tiye are shown again on the eastern wall making their way
to a solar temple which was built for the Queen Mother. The northern
wall of the outer hall, to the right of the doorway, shows Huya
receiving rewards from Akhenaten who is with Nefertiti in the window
of appearances, and below is a damaged vignette of Huya supervising
craftsmen at work, including sculptors carving a statue of Baketaten.
The families of Akhenaten and Amenhotep III are both depicted around
the doorway to the statue shrine, but whether this is an indication
that Amenhotep III was still alive at this period is not clear. Huya
is shown once more receiving rewards from the King in the scene to the
left of the doorway.
One of the most important aspects of this tomb is that it gives
details of the 'Great Durbar' of Akhenaten's year 12 - a great state
occasion at Akhetaten when the royal couple received tribute from
their foreign vassals. It may have been for this occasion that Queen
Tiye visited Akhetaten. The inner hall is undecorated but contains
Huya's burial shaft, over 10m deep. At the rear of the tomb is a small
shrine decorated with offering scenes and containing an unfinished and
mutilated seated statue of the deceased. |
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| Tomb of Meryre (II) (EA2) |
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The tomb of Meryre is adjacent to Huya's tomb at the northern end of
this group. His titles include 'Superintendent of the Harem of
Nefertiti', 'Royal Scribe' and 'Overseer of the Two Treasuries'. The
damaged scenes in the entrance corridor show the usual depictions of
Meryre adoring the sun, with texts from a Hymn to the Aten. To the
left of the doorway in the outer hall, Akhenaten and Nefertiti are
shown seated beneath a canopy, while the Queen pours a drink for the
King through a strainer. They are accompanied by three daughters.
To the right of the doorway in the outer hall is a scene depicting the
King and Queen in the window of appearances with five princesses,
handing out rewards and Meryre is shown receiving a gold collar.
Following the wall around to the left (east) there are more scenes of
the 'Great Durbar' of year 12, but this time more detailed than those
in Huya's tomb. There are many foreign envoys shown in their native
dress and bringing exotic gifts, including animals, to Akhenaten.
On the north wall to the right of the doorway to the inner hall,
Meryre is again shown receiving rewards from the King in the window of
appearances. This scene which was mostly drawn in black paint is now
very damaged, but it depicted the king in question as Smenkare,
Akhenaten's successor, accompanied by his consort Meritaten,
Akhenaten's eldest daughter. Although now invisible, 19th century
copies of the cartouches show the names of Smenkare and his queen and
probably date to his short reign after the death of Akhenaten. The
rest of the outer hall is undecorated and probably unfinished by the
time Akhetaten was deserted. A burial shaft intended for the outer
hall was not even begun and the inner hall and statue shrine were also
unfinished. |
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| Tomb of Ahmose (EA3) |
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Ahmose was 'Fanbearer on the King's Right Hand', 'Steward of the
Estate of Akhetaten' and 'Royal Scribe' and his tomb is part of the
southern group of the North Tombs. The style differs to the tombs of
Huya and Meryre (II) in that it has a much longer and narrower outer
hall with no columns. The figure of the deceased is carved in the
entrance in the usual pose of adoration with texts from the Hymn to
the Aten. Ahmose is shown with the symbols of his office, a fan and an
axe, slung over his shoulder. |
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Decoration in the outer hall is unfinished - on the right-hand wall
the reliefs were carved but on the left-hand wall the scenes are
partly drawn in the draughtsman's red outline only. The plaster where
it was carved was of poor quality and is now damaged. To the right a
scene near the door depicted the King and Queen with three princesses.
The left-hand wall shows two registers. The top register depicts a
royal visit to the Great Aten Temple, with the King and Queen in their
chariot (drawn in red ink) and accompanied by four rows of armed
guards, running before the King in a stooped posture. The register
below shows the royal family seated inside the King's house enjoying a
meal and being entertained by musicians.
The inner hall is undecorated and contains two burial shafts (one
unfinished). Beyond this is a statue shrine, which was also
undecorated but contains a damaged statue of the deceased carved from
the rock. |
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| Tomb of Meryre (EA4) |
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The most beautifully decorated and most elaborate of the North Tombs
belongs to another Meryre (probably no relation of the Meryre who
built Tomb 2). He held the titles of 'High Priest of the Aten at
Akhetaten' and 'Fanbearer on the King's Right Hand'. This tomb has the
added feature of an antechamber before the outer hall. In the entrance
to the antechamber Meryre adores the rising sun, with prayers to the
Aten. At either side of the antechamber false doors have been carved
and decorated with tall floral standards and cartouches of the King,
Queen and the Aten. An elaborate doorway leads into the outer hall,
its entrance depicting Meryre and his wife, Tenre, adoring the Aten. |
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On the right-hand side of the outer hall two of the original four wide
columns are still in situ. To the right of the doorway is a colourful
depiction of Akhenaten and Nefertiti with two of their daughters (Meritaten
and Meketaten), presenting a laden offering table to the Aten. A
multicoloured rainbow is shown below the sundisc. Meryre as high
priest is the figure in front of the King. Following the wall around
to the left, Meryre accompanies the royal family on a visit to the
Great Aten Temple. Many soldiers, attendants and foreign
representatives accompany the procession. The royal family are shown
standing in the temple with piles of offerings below. Boats are moored
on the river bank in the scene below.
The temple sanctuary is shown to the right-hand side of the north
wall. A doorway leads into the inner hall, depicting Meryre adoring
the Aten. The scene to the left side of the doorway reflects that on
the right, with the temple sanctuary with its pylon entrance and
flagpoles. Temple staff prepare for the King's visit. |
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The western wall shows scenes similar the eastern wall, with the King
and Queen going by separate chariots to the Great Aten Temple, with
four princesses following in two smaller chariots behind. There is a
great deal of detail shown here and the reliefs retain much of their
original colour. The King's house is again shown at the left-hand side
of the west wall, followed by the King and Queen in the window of
appearances rewarding their loyal subjects with gold collars.
Once more this tomb was unfinished. The inner hall had provision for
four columns but these were abandoned and the statue shrine behind was
also unfinished. |
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| Tomb of Pentu (EA5) |
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Pentu was 'Royal Scribe and Physician' and 'Chief Servitor of the Aten
in the Estate of the Aten in Akhetaten'. The design of this tomb is
similar to that of Ahmose, but little of the decoration now remains.
The usual scenes in the entrance hall, depicting Pentu are badly
damaged, but there are several Greek graffiti from early visitors
etched onto the walls.
The long outer hall has little remaining decoration. The right-hand
wall shows only traces of a red outline drawing depicting the King's
house at the end closest to the doorway. There are two niches cut into
the wall from a later habitation of the tomb chapel.
On the left-hand wall, closest to the doorway, the King and one
daughter can be seen before the Great Aten Temple. As the royal family
travel to visit the temple in their chariots, Akhenaten is shown with
Nefertiti and three daughters. Further to the right Pentu is shown
being appointed to office and rewarded with gold collars by the King.
In the lower register freight ships are moored on the river bank. The
scenes are very damaged.
The inner hall contains Pentu's burial shaft and both this chamber and
the statue shrine are undecorated. There is no remaining statue. |
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| Tomb of Panehesy (EA6) |
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Panehesy held the title of 'Chief Servitor of the Aten in Akhetaten'.
His tomb is another of the better decorated of the North Tombs, with
superb reliefs and a lot of remaining colour. It is situated at the
far southern end of the North Tombs group and was at one re-time used
as a Coptic church. The decorated façade of the tomb is better
preserved than in the other Amarna tombs, showing scenes of the royal
family worshipping the Aten with attendant dwarves. In the entrance
corridor the King and Queen are shown wearing elaborate crowns, and
include a depiction of Mutnodjmet, Nefertiti's sister, although
damaged. |
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Above the inner doorway to the outer hall, there are some very clear
cartouches of the Aten, Akhenaten and Nefertiti, which are not defaced
as they are in other tombs. The south and east wall, on the right-hand
side show Panehesy being rewarded with gold collars by the King and
Queen and the royal family once more in chariots with their guard of
honour. In the centre of the wall a stairway leads to an unfinished
burial chamber. On the western side of the outer hall the chamber has
been enlarged by the early Christians, with the lower part of the wall
cut away and a small baptistery constructed in the northern wall. On
the remaining upper part of the western wall the King and Queen are
depicted standing on a ramp celebrating a ritual at the Great Aten
Temple, showing details of the pylon entrance with flagpoles and
animal slaughter court. The southern wall to the left of the entrance
shows Panehesy once more being rewarded by Akhenaten wearing the red
crown in the window of appearances. Two of the pillars in the outer
hall are very well preserved, showing typical Amarna style of
construction. |
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The area around the doorway to the inner hall is partly covered by
plaster with painted Coptic decoration. In the entrance Panehesy is
portrayed as an obese elderly man, with his daughter, adoring the
sundisc. The inner hall is undecorated, but on the east wall a flight
of 43 steps leads down to a second burial chamber. Panehesy's statue
which once would have graced his shrine at the rear of the tomb is now
destroyed, but on the right-hand wall there are remains of decoration
depicting funerary offerings. The deceased sits at an offering table
with his daughter, his sister and her two daughters behind him.
The scenes decorating the North Tombs have a distinctive Amarna style
of their own, with natural and graceful painted reliefs showing how
the style of art changed throughout the period. The striking
difference between these and the Theban tombs of Dynasty XVIII is in
the fact that it is the royal family who take precedence in the tomb
decoration, replacing the more religious themes dominating earlier
tombs. |
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